Cannstatter Zeitung
Nothing against electronics: they expand the perception of sound and its expressive possibilities. And in the concert by the Elastic3 ensemble at the Forum Neues Musiktheater they even manage to make the common roots of the guitar and the gamba audible (in Agostino di Scipio’s Veille, surveille). In both Fausto Romitelli’s Seascape and Eva Reiter’s Nasszelle, the bulky Paetzold contrabass recorder, which looks like a rocket turned into a woodwind, was accompanied by electronics that were rich in timbre, amplifying, and alienating. (…)
Stuttgarter Nachrichten
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