Stage Direction: Paul Koek
Light Installation and Video: Joost Rekveld
Voices, Acting: Stephie Büttrich, Rick Elstgeest, Bo Koek
Synthesizer and Laptops: Anne Wellmer, Marko Ciciliani
Recorded Singing: The Kassiopea Quintet
What can we really know about things we cannot perceive?
A
magician and his alter ego come on stage to perform the famous
hat-and-pea trick, but things don’t work quite the way they are
supposed to. His assistant is obsessed with quantum physics, in
particular with Schrödinger’s Cat, the famous thought experiment by the
Austrian physicist. The idea is that quantum theory would mean a cat
would be at once dead and alive if it were subjected to a specific
experimental setup. While the stage is gradually turned into a place of
transition in which Newton’s laws break down, the magicians become more
and more frustrated with their futile attempts to demonstrate the arts
of magic. They withdraw into the dressing room, where they are then
subjected completely to the bizarre effects of quantum logic.
The
actors experience the same physical patterns of appearance and
disappearance that the balls under the magician’s cups do. All of this
unfolds in a strange way: time does not flow in the normal direction;
the magician’s failure is constantly repeated, returning into time
fields that have changed. Just like the cat in Schrödinger’s thought
experiment, the actors too are caught in an indeterminate state.
escamotage
is “electronic music theater” that explores the ideas of quantum
physics with the aid of the world of illusion. Cheap magic tricks
become metaphors for all the things we do not understand, and quantum
physics finds such things in spades. The magician’s tricks are contrary
to logic, and they do not even cease to be surprising when their
mysteries are revealed. For at the moment the trick is repeated, we
forget everything and are lost in the theater of it again. We can never
understand the mysteries of the quanta, because our thinking is shaped
by the linearity of space and time. Magicians, by contrast, confuse our
logical perception by providing a momentary insight into phenomena that
seem to contradict reality. They show us what our everyday reality is
based on: a bizarre world of subatomic particles with properties that
distort space and time.
This world of possibilities finds its form
in an electronic music theater that plays with our perception of what
we hear and see. What is real, what is imagined, and what is simple
swindling.
The play was conceived and composed by Yannis
Kyriakides. It was produced as a collaboration between the Forum Neues
Musiktheater of the Staatsoper Stuttgart and the VeenFabriek under the
direction of Paul Koek. The artist and filmmaker Joost Rekveld has
developed a complex light installation of sand and LEDs. The musicians
Anne Wellmer and Marko Ciciliani both work with analog electronics and
digital voice manipulation.
The project was realized with the kind support of the
Embassy of the Kingdom of the Netherlands and the
Fund for Amateur Art and Performing Arts, the Netherlands.
Tickets for escamotage Den Haag available at +31 70 3465272, Theater aan het Spui.
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